<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div><blockquote type="cite"><div bgcolor="#ffffff" text="#000000"><big><b><font class="Apple-style-span" color="#020202"><br> ____________<br> Transforming Cultures Seminar</font></b></big><font class="Apple-style-span" color="#020202"><br><br> TfC invites you to a lunch time Transforming Cultures seminar:<br></font> <b><big><font class="Apple-style-span" color="#020202">Bill Henson - An Appreciation</font></big></b><font class="Apple-style-span" color="#020202"><br></font> <big><font class="Apple-style-span" color="#020202">presented by Tony Mitchell (Cultural Studies, TfC, UTS), with Catharine Lumby (Media Studies, UNSW) as respondent.</font></big><font class="Apple-style-span" color="#020202"><br><br> Date: Thursday, 5th June<br> Time: 12.30-2pm<br> Venue: Building 2, Room 7.110 <br> All welcome.<br> Entrance Free: RSVP to </font> <a class="moz-txt-link-abbreviated" href="mailto:Transforming.Cultures@uts.edu.au"><font class="Apple-style-span" color="#020202">Transforming.Cultures@uts.edu.au</font></a><font class="Apple-style-span" color="#020202"><br><br></font> <i><font class="Apple-style-span" color="#020202">Abstract:</font></i><font class="Apple-style-span" color="#020202"><br> The recent impounding of some of Bill Henson’s photographs from the Roslyn Oxley9 gallery and elsewhere by the New South Wales police, and Prime Minister Kevin Rudd’s description of them as ‘revolting’ raises serious issues about artistic freedom in Australia. This seminar offers an appreciation of aesthetic aspects of the work of Bill Henson from the perspective of a cultural studies lecturer who has taught Henson’s work to first year students in the past. It draws comparisons between Henson’s work and the Italian renaissance artist Caravaggio, who was also noted for portraying the naked bodies of children and adolescents in his work (some of which hangs in churches around Italy), and offers an argument for the importance of defending Henson’s photographs from slurs and insinuations that they are ‘pornography’. The subjection of Henson and his work to police brutality of this nature is a scandal which has precedents stretching back in Australia to the 1950s, and to the ban<br> ning of Pasolini’s Salò more recently, and raises serious concerns about the public appreciation of art works which deal with potentially disturbing subjects.<br><br> Details: </font> <a class="moz-txt-link-freetext" href="http://www.transforming.cultures.uts.edu.au/news_events/TfC_seminar_Henson.html"><font class="Apple-style-span" color="#020202">http://www.transforming.cultures.uts.edu.au/news_events/TfC_seminar_Henson.html</font></a><font class="Apple-style-span" color="#020202"><br></font> <pre class="moz-signature" cols="72"><font class="Apple-style-span" color="#020202">--
Lindi Renier Todd
Research, Outreach & Publications Officer
Transforming Cultures
University of Technology, Sydney
</font><a class="moz-txt-link-abbreviated" href="mailto:Lindi.Todd@uts.edu.au"><font class="Apple-style-span" color="#020202">Lindi.Todd@uts.edu.au</font></a><font class="Apple-style-span" color="#020202">
+ 61 2 9514 2757
</font><a class="moz-txt-link-abbreviated" href="http://www.transforming.cultures.uts.edu.au"><font class="Apple-style-span" color="#020202">www.transforming.cultures.uts.edu.au</font></a></pre> </div> </blockquote></div><br><BR>
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