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--></style><title>Fwd: Public lectures 12 + 13 August: all things
deleuz</title></head><body>
<blockquote type="cite" cite>
<blockquote type="cite" cite><font face="Arial" size="+1"
color="#000000">Public Lecture - All welcome<br>
<b>The School of Art History, Cinema, Classics & Archaeology and
The Department of French, Italian and Spanish Studies presents:<br>
</b></font><font face="Arial" size="+2" color="#000000"><b>Charles J.
Stivale: Gilles Deleuze, The Folds of Pedagogy and Friendship<br>
</b></font><font face="Arial" size="+1" color="#000000">Thursday 12
August 2004 @ 06:30 pm - 07:30 pm<br>
</font><font face="Arial" color="#000000">Theatre A, Elizabeth Murdoch
Building, Parkville campus,<br>
<b>University of Melbourne</b>.<font size="-1"> map:<u>
http://www.pb.unimelb.edu.au/other/maps/<br>
<br>
</u></font>French philosopher Gilles Deleuze's lifelong commitment to
working with students in seminars and other media produced
relationships and concepts that explore the levels of desire inherent
in the exchange of ideas. This paper proposes to open up several folds
of this pedagogical engagement in Deleuze's reflections on the
practice of working as a professor and philosopher of literature,
music, art, history, philosophy, and the social sciences.<br>
<br>
Professor Charles J. Stivale<font size="-1"> is Professor of French,
Wayne State University, Detroit, U.S.A.-- Research areas:
Nineteenth-century French studies, Contemporary French and Cultural
Studies, Deleuze & Guattari, Cajun dance and music, Text-based VR
research.</font></font></blockquote>
<blockquote type="cite" cite><font face="Arial" size="-1"
color="#000000">ttp://www.langlab.wayne.edu/CStivale/index.html</font><br
>
</blockquote>
<blockquote type="cite" cite><font face="Arial" size="-2"
color="#000000"><u><br></u></font></blockquote>
<blockquote type="cite" cite><font face="Arial" size="-2"
color="#000000"><u><br>
</u></font><font face="Arial" color="#000000">Event hosted by The
School of Art History, Cinema, Classics & Archaeology<u>
http://www.ahcca.unimelb.edu.au<br>
</u>and<br>
Department of French, Italian and Spanish Studies<br>
<u>http://www.fritss.unimelb.edu.au<br>
</u>and The School of Architecture and Design,
RMIT<x-tab> </x-tab></font></blockquote>
<blockquote type="cite" cite><font face="Arial" size="-1"
color="#000000">Enquiries: Dr Felicity Colman Lecturer, Cinema Studies
Program, 03 83443359<u> fcolman@unimelb.edu.au</u></font></blockquote>
<blockquote type="cite" cite><font face="Times"
color="#000000"> </font></blockquote>
<blockquote type="cite" cite><font face="New York" size="+1"
color="#000000"><br></font></blockquote>
<blockquote type="cite" cite><font face="New York" size="+1"
color="#000000">Public LECTURE RMIT,<br>
</font><font face="New York" color="#000000">Friday 13 August, 2004
6pm, Blg 8, level 11, lecture hall 68, RMIT, Swanston St,
Melbourne.<br>
<br>
</font><font face="Times New Roman" size="+2"
color="#000000"><b>Charles J. Stivale</b></font><font face="Arial"
size="-1" color="#000000"> is Professor of French, Wayne State
University, Detroit, U.S.A.-- Research areas: Nineteenth-century
French studies, Contemporary French and Cultural Studies, Deleuze &
Guattari, Cajun dance and music, Text-based VR research.<br>
ttp://www.langlab.wayne.edu/CStivale/index.html<br>
<br>
</font><font face="New York" size="+1" color="#000000"><b>"Hot
Fusion in the Summertime: 'Zydeco Will Never Die'"<br>
<br>
</b></font><font face="New York" size="-1" color="#000000">All music,
to a greater or lesser extent, is the result of the intersection and
overlapping of prior influences, themes, and even forms of
instrumentation. In his research on Louisiana Cajun music and the
Afro-Caribbean musical form known as<u> zydeco</u>, Charles Stivale
has noted the many instances of crossover both in the music and the
dance forms, and his talk focuses on the complex forms of mixing,
blending, and fusion in<u> zydeco</u>, the manner in which most of the
artists of the 1990s - the so-called "nouveau zydeco" generation
--have embraced the intersection of the zydeco rhythms and musical
themes with compositions for a broad range of other traditions. Prof.
Stivale will thus provide a brief overview of some origins of zydeco,
and then with the audience's help, will follow how different
contemporary musicians - Buckwheat Zydeco, Beau Jocque, Lil Brian
and the Zydeco Travelers, Chris Ardoin and Double Clutchin', and
Keith Frank and Soileau Zydeco Band - develop their music by
appealing to the broadest possible fan base inside and outside
Louisiana through borrowings across many musical forms - folk,
hip-hop, rap, reggae, do-wop, and Motown. As part of the talk, he will
also demonstrate some of the dance steps, Cajun as well as zydeco,
that respond to the different musical beats of these
traditions.</font></blockquote>
<blockquote type="cite" cite><font face="New York" size="-1"
color="#000000"><br>
<br>
</font><font face="New York" color="#000000">Friday 13 August, 2004,
Lecture Hall 8.11.68, 6.00pm.</font></blockquote>
<blockquote type="cite" cite><font face="New York"
color="#000000">Enter off Swanston Street, take elevators up to level
11.<br>
Drinks beforehand from 5.30pm at level 11 bar.<br>
<br>
<font size="-3">Enquiries: Hélène Frichot<br>
Lecturer<br>
Program of Architecture<br>
RMIT<br>
helene.frichot@rmit.edu.au<br>
p: +61 3 9925 2667</font></font></blockquote>
</blockquote>
<div><br></div>
<blockquote type="cite" cite>
<blockquote type="cite" cite><font face="Times" size="-1"
color="#000000">Charles J Stivale is the author of<i>:<br>
</i></font><font face="Times New Roman" size="-1"
color="#000000"><i>Disenchanting</i> Les Bons Temps:<i> Identity and
Authenticity in Cajun Music and Dance</i>. Durham, NC: Duke University
Press, 2003.<br>
<i>The "Two-fold Thought" of Deleuze and Guattari:
Intersections and Animations</i>. New York: Guilford Publications,
1998:<br>
<i>"The Art of Rupture": Narrative Desire and Duplicity in
the Tales of Guy de Maupassant</i>. Ann Arbor: The University of
Michigan Press, 1994.</font></blockquote>
<blockquote type="cite" cite><font face="Times New Roman" size="-1"
color="#000000"><i>La Temporalité Romanesque chez Stendhal:
"L'échafaudage de la Bâtisse"</i>. Birmingham, AL: Summa
Publications, 1989</font><font face="Times" size="-1"
color="#000000">.</font></blockquote>
<blockquote type="cite" cite><font face="Times New Roman" size="-1"
color="#000000"><i>Oeuvre de Sentiment, Oeuvre de Combat: La Trilogie
de Jules Vallès</i>. Lyon: Presses Universitaires de Lyon,
1988.</font></blockquote>
</blockquote>
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